Bill Ayers: Notes On Violence

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Source: Democracy Now

Source: Bill Ayers: Notes On Violence

If you look at leftist social-democratic and counter-cultural movements from the 1960s and today, you have three different movements on the Left in America.

The Martin L. King civil rights and then later People’s Campaign from the 1960s. That I believe is now represented by the Bernie Sanders/Jill Stein Democratic Socialists of America.

The Hippie counter culture movement who were by enlarge peace loving people who were taking on the establishment culturally and looking for a new way of life in America and didn’t feel the need to live the way their parents and grandparents lived. But weren’t looking to destroy the American system and force every American to live their way of life.

And then you have the radicals who feel it was their duty to not just to try to take on the establishment, but to tear down by any means necessary. (To quote Minister Malcolm X) But the New-Left radicals of the 1960s and their kids and grandkids from today have a different meaning of by any means necessary. Malcolm X was talking about taking on racists even though violent means, but only in self-defense and not go looking for violent confrontations. The New-Left radicals meaning of by any means necessary is not only use violence to confront violence, but use violence to obtain their political objectives. Which means for them taking on right-wing racists and other bigots and taking on our capitalist system and the people who control it. Corporate America and others.

Dr. Martin King was not just a Socialist, but also a pacifist. The Weather Underground and other New-Left radical groups of the 1960s and 1970s were not just Socialists, but in many cases were Communists. One of the reasons why they opposed the Vietnam War was because America was not just involved in another country’s civil war, but was fighting communism in Vietnam.

And today The Weather Underground has become was is called ANTIFA which is short for anti-fascists. People who oppose what’s called white supremacy. Groups like the KKK and Neo-Nazis who want to America to separate and create a new Protestant European nation inside of America. And of course there are terrorists in this Far-Right movement who would murder non-European-Protestant Americans. Including Jews who racially are the same, but differ ethnically and religiously from English and German Protestants in America and Europe.

And ANTIFA sees it as their duty to not just take on these Far-Right fascist groups and protest against them and use their free speech rights to take them on, but to destroy them. Again by any means necessary. They call themselves antifascists, but they’re not, because they would use fascism to not just cut off, but destroy movements they disagree with like the Far-Right and others.

Democracy Now: ANTIFA- A Look At The Antifascist Movement

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Inside Edition: Bonnie Strauss- 1992 Feature on Jayne Mansfield

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Source: Inside Edition

Source: This piece was originally posted at The Daily Review

The man anchoring this show might look familiar to all you political and news junkies out there. Especially cable news junkies, because before Bill O’Reilly got his big gig The O’Reilly Factor at Fox News Channel in the mid 1990s, he was anchor of the syndicated tabloid/news magazine show Inside Edition. I remember watching him on that show in the mid 1990s after work. But enough about The O’Reilly Factor, or as I prefer to call him The O’Reilly Finger and give him my middle finger to show how I feel about him.

Jayne Mansfield died in a horrible car crash in 1967 and she wasn’t drunk or even driving the car. The two men in front that were supposed to protect her were simply too tired to work and drive that night and should have never been on that trip. Especially with other people with them and in back of the car. So that is why Inside Edition did this story about Jayne in 1992. Because even though she did make a brief impact in Hollywood in the mid 1950s, it was sort of like that talented QB who has a couple big years early in his career and perhaps even wins the Super Bowl, but gets hurt or thinks too much of himself and stops doing the work and finds himself even playing for bad teams, or completely out of the NFL. The fall ends up being as dramatic as the rise to the top floor in Hollywood. That was Jayne Mansfield’s short Hollywood adventure.

I disagree with James Bacon that Jayne wasn’t a good actress though and was only famous because of her, lets say measurements. She was a good actress, but more importantly a very good entertainer. Who was also a very good singer and comedian and had she realized that early on and just took with that instead of trying to move to doing drama and serious roles, we might be talking about one of the best comedic actresses and comedians at least of her generation. Which is how Carol Burnett and Mary Tyler Moore are remembered today. Not as great dramatic actresses, but great comedians as they should be. But Jayne got bored with comedy and tried to move away from what made her great in Hollywood.

Inside Edition: Bonnie Strauss- 1992 Feature on Jayne Mansfield

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Turner Classic Movies: TCM Remembers Robert Osborne- 1932-2017

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Source: TCM- Robert Osborne

Source: This piece was originally posted at The Daily Review

How I do I talk about Robert Osborne, how do I talk about a man I don’t personally know who wasn’t an actor or a famous celebrity really for anyone who wasn’t an entertainer or an entertainment historian and writer who works with people like Osborne who was of course not just a film and Hollywood historian, but one of the best and most knowledgeable of his generation if not ever. Well, I guess I don’t have to say I can talk about as fan of TCM and Classic Hollywood in general, but that wouldn’t be giving me much credit. I’ll talk about Robert Osborne as someone who loves Classic Hollywood as a blogger who blogs about Classic Hollywood from time to time. And a big reason is because of knowledgeable people and historians like Robert Osborne.

Robert Osborne is not the reason why I love and many other Americans perhaps especially on Google+ that has so many Classic Hollywood communities and communities about old movies, famous entertainers and TV. But he’s one of the biggest reasons. Watching an old movie on TCM is not like watching an old movie on TNT or USA, to use as examples. Its so much better, because instead of one movie ending with the credits and that movie directly being followed by the next movie.

What you get is a backstory from someone like Robert Osborne or Ben Mankiewicz who gives you inside details about the movie you just saw. Where it was shot and why it was shot there. Background about the cast, writers and directors involved and what it took to get those people to work on that project. The chemistry that the cast had with each other, as well as the people they worked for on the project. As well as little information about the people on the project as far as how it affected their career before and after. And then you get a little taste about a documentary about about actors, actresses, and other entertainers short documentary films about Old Hollywood after the last movie had just been completed and before the next movie shows up.

Robert Osborne did not get me into Classic Hollywood, at least by himself. But like I said earlier because of him and TCM watching and old movie on TCM is not like watching an old movie everywhere else. Its more like reading a good book about a movie or good documentary about a movie and then thinking I have to see that movie because its so interesting. Except you get that information for free. Robert Osborne gave his viewers a good book or documentary worth of information about the movie that you’re about to watch in about three minutes. Because he was so knowledgeable about what you were about to see and doing it an interesting way.

Talking about the story without giving up the plot. Talking about the cast and again how they worked with each other and again how that film affected their careers and what they were doing before. I especially loved how Osborne talked about Hitchcock films and and saying how good Cary Grant was with Alfred Hitchcock because they had similar taste in movies, humor, and women. That is what you got with Robert Osborne. The story of the film before you saw it and yet still wanting and seeing that film, because of how interesting he made it sound. And he is one of the best if not the best and will be surely missed.

Turner Classic Movies: TCM Remembers Robert Osborne- 1932-2017

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The Bully Pulpit: JR Benjamin- Why Identity Politics Fails

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Source: The Bully Pulpit- Mark Lilla

Source: The Bully Pulpit: JR Benjamin- Why Identity Politics Fails

Why identity politics fails, at least in America? Well, because as much as the Far-Left (so-called Progressives today who are really Socialists) hates to admit this America is still a country of 320 million individuals. We’ve been this way a country of individuals even though our population has always grown since the Cultural Revolution of the late 1960s and 70s. When the 1940s and 1950s finally ended culturally and Americans led by the Baby Boom Generation decided that Americans should be able to be themselves. The freedom to be Americans and not forced either through government or culturally to conform with how Americans had lived up to that point in this country.

Identity politics goes against all of that and argues that there is only one way for Americans to live which is their way. Which is that there’s not rich and no poor and where economic equality is forced on everyone. And that people who strive to do better and be independent and make a good living on their own, are just being selfish and materialistic and serving the man. (As they would put it) And the so-called man to the New-Left (the Far-Left in America) is the white man (as they would put it. (Another way of saying the devil)

And non-Caucasian- Americans who are to the right of lets say Che Guevara, Saul Alinsky, Tom Hayden, and many others, who believe that the great thing about America is our diversity and the fact that everyone regardless of their race, ethnicity, or gender, can make it in America and be successful and our individualism and the fact that Americans have the freedom to be Americans (which is ourselves) and not be forced to be part of some group either culturally or politically, simply because of their race, ethnicity, or complexion, and have the freedom to be themselves and even be successful. They’re viewed by the New-Left in America as sellouts and even Uncle Toms. Sellouts to their race and culture, because they don’t view individualism and capitalism as immoral and racist.

Identity politics doesn’t work in America because to put it simply its Un-American., Trying to force a country this large, diverse, and individualistic, that is even becoming racially and color blinded (thanks to Generation X) everywhere outside of the Far-Left and Far-Right in America, where we as a country simply want the freedom to be ourselves and live our own lives. And do not feel the need to act, talk, and believe in a certain way simply to please another political group, or radicals in our own ethnic or racial group.

We’re becoming an America where Americans are seen exactly as that. Again outside of the fringes on both sides and identity politics simply goes against that. And argues that Caucasian-Americans are simply overprivileged and by enlarge are bigots except for the people who went to either Ivy League or other great Northeastern or West Coast schools.

And because of that in their view that since Caucasians tend to be bigoted and overprivileged that non-Europeans-Americans are entitled to be treated better and deserve special protection under the law and even culturally, simply because they are specially protected groups as the New-Left would like them to be. And that simply goes against to what America and our great liberal democracy is and is supposed to be. Which is why identity politics fails in America.

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Source: Politics and Prose 

Politics and Prose: Andrew Sullivan Interviewing Mark Lilla- The Shipwrecked Mind

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Alan Eichler: Good Morning America- David Hartman Interviewing Lana Turner: 1983 TV Interview

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Source: Alan Eichler 

Source: This piece was originally posted at The Daily Review

This might sound harsh but I believe Lana Turner’s life represents a Hollywood character and actress who struggled to get out of character when she was off stage. Actresses and actors when they make it in Hollywood and even become popular to the point where everyone interested in movies and TV knows who they are pick up an image. And believe they have to live up to that image to keep their popularity and stay hot in the business. Even if that image is not positive.

Like with Marilyn Monroe and Jayne Mansfield being known as blond bimbos and living up to that on and off camera. Even though in real life where actually pretty intelligent. Or James Dean being known as a teen rebel who is always taking on society and never quite settles down personally and is always fighting.

I believe in Lana Turner’s case she picked up the image as a soap actress character on some show where she has all the money any person could have and could have any man at anytime and ends up with every man and even marrying every man. Has kids with every man she gets involved with. (At least practically) Sounds like at least two female characters on General Hospital and if you’re familiar with the show and are a fan, you probably know who I’m talking about.

Lana Turner was perfect for soap operas because she was perfect for dramatic comedy. Both in her personal life as far as how she lived both intentionally and unintentionally, but she was also a great actress and a very funny woman as well. Which made her perfect for dramatic comedy which is what most good soap operas are like General Hospital, Dallas, Melrose Place, to use as examples, Days of Our Lives. To me at least Lana Turner’s life was the story of a great soap opera. A lot of ups and downs, falls, and dramatic comebacks and she was one of the best soap actresses, as well as characters that we’ve ever had.

Alan Eichler: Good Morning America- David Hartman Interviewing Lana Turner: 1983 TV Interview

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Learn Liberty: The Rubin Report- Dave Rubin Interviewing Dan Carlin: We’re All Liberals and Radicals

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Source: Learn Liberty

Source: This piece was originally posted at The New Democrat

I agree with Dave Rubin and Dan Carlin on at least one thing here about political labels having lost their meanings and I would argue true meanings. I’m a Liberal because I believe in liberal democracy and its that simple. Individual rights, rule of law, equal rights, equal justice, equality of opportunity, limited government, free, fair and open elections, fiscal responsibility, strong but limited national defense, property rights.

But someone who believes in the opposites of many if not all of those things and not even believing in free speech and perhaps even a free press that is in private hands, along with having a lot socialist if not communist views on economic policy, will also call themselves a Liberal. People like talk show host Thom Hartmann who really is a Democratic Socialist if you bother to look at his politics instead of just automatically taking his word when he calls himself a Liberal, but he at least in the past has called himself a Liberal, but has called for state-control of the press.

The so-called liberal magazine Salon had an article in 2014 written by Fred Jerome calling for the nationalization of Fox News and other right wing media outlets because he believed there was too much of a right wing slant on the news.

Now who is the Liberal here? The man who advocates for liberal values and policies, or the people who call themselves Liberals, but advocate for Far-Left politics and positions and view people like Communists Fidel Castro Che Guevara, and the Neo-Communist regime in Venezuela as really good but misunderstood people. Perhaps they were treated badly as kids which is why they turned out like this, or its societies fault that they became authoritarian dictators.

When I see an apple and an orange, I’m going to call the apple an apple even if the orange calls them self an apple as well. Sometimes you need to believe your own ears and eyes over someone else’s mouth. Facts matter and we should always take facts over someone else’s propaganda. I partially agree with Dan Carlin on his second point that we’re all Liberals. A lot of us are in America in the sense that Americans tend to believe in liberal democracy and values I just laid out and believe in both personal and economic freedom.

But if you’re familiar with the over-caffeinated Millennial Generation and aging Baby Boomers who are still living in the 1960s culturally and mentally and still trying to take down the man (as they would put it) and destroy our inhumane, corrupt, corporate controlled private system, (as they would put it) they’re not liberal all all, really. They can’t take a joke and believe anything that offends them or people they claim to care about, should be censored and outlawed.

To go back to my previous points about Fidel and Che, the illiberal-left believes Castro and Guevara are good men. They believe in the Venezuelan Neo-Communist regime is a good honorable government trying to serve their people and eliminate corporate control. Even though they’re arrested people simply for protesting against their regime. They believe the wrong country won the Cold War. And yet they get called Liberals by the lame stream media (to quote Sarah Palin) as Liberals, simply because the so-called mainstream media doesn’t know what Liberals are and equates everyone on the Left as Liberals even if their politics are illiberal.

But again who are the Liberals here? The people who believe in liberal values, or the people who simply call themselves Liberals and are called Liberals by others? To go back to my point about facts matter, we should always believe our own ears and eyes overs someone’s else’s propaganda. Just because someone else labels them self something or is labeled something by someone else, doesn’t make that true. Instead what you should do is your own research and look at their politics and see if that matches up with what they’re self-proclaiming.

Learn Liberty: The Rubin Report- Dave Rubin Interviewing Dan Carlin: We’re All Liberals and Radicals

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Classic Film and TV Cafe: A Fever in The Blood 1961

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Source: Classic Film and TV Cafe- Angie Dickinson & Efrem Zimbalist

Source: This piece was originally posted at The Daily Review

A Fever in The Blood is a picture of courtroom drama and political cinema, intrigue, and ambition. You have three powerful influential ambitious men who want to be the next governor of their state, which is never named in the movie. A sitting city judge, (played by Efrem Zimbalist) a district attorney, (played by Jack Kelly) and a sitting U.S. Senator. (Played by Don Ameche) And while all of this is going on you have high profile murder case involving a successful local businessman and his separated dead wife. With the husband being accused of the crime.

And you also have the adorable, gorgeous, and sexy Angie Dickinson, who has a smaller but very important character in the movie as the wife of Senator Alex Simon (played by Don Ameche) who is more interested in Judge Leland Hoffman (played by Efrem Zimbalist) and sees her husband as too power hungry and ambitious, as well as somewhat shady. I mean the cast and characters alone should get you interested in this movie. Unless you just hate courtroom dramas and fictional political films.

You have this local murder case in an unknown city with the District Attorney Dan Callahan (played by Jack Kelly) deciding to prosecute the case himself instead of assigning the case to one his top deputies. Because again Callahan wants to be governor of this mysterious state that will go nameless simply because it is never announced what state this movie takes place in. You have Judge Leland Hoffman who only gets this case assigned to him because he does his own wheeling and dealing ( I hate that expression) And Senator Alex Simon who is probably the favorite going into to win his unknown party’s nomination for governor, but knows this murder case could be the boost that his top two opponents need to win the nomination. And actually ends up bribing Judge Hoffman in the Judge’s office to let the case go.

There’s a lot of backroom inside politics in this movie. That any great high profile drama has. The movie is also over two-hours but more than worth the time to watch it. Especially if you just like seeing Angie Dickinson in a great movie and she’s had several. Not a movie for people simply looking for romantic comedies and softball humor. There’s a good deal of humor in this movie, but a lot of that involves Don Ameche, as well as how Jack Kelly and Efrem Zimbalist in the courtroom. With the District Attorney accusing the Judge of ruling against him for political reasons. Great movie for political junkies such as myself but also for people who like courtroom dramas and even soap operas.

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Source: Classic Film & TV Cafe- Angie Dickinson

Classic Film & TV Cafe: A Fever in The Blood 1961- Angie Dickinson & Efrem Zimbalist

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